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Growing up from Nirvana to all the bands I was listening to at the teenage time, those were my best friends, more than my real friends. Those were the people that sang me to sleep or gave me the confidence I needed to go to first period. When we're all so insecure with weird stuff, when we're having weird feelings toward girls or guys, or whatever. It's the insecurity of life that we all go through. So music helped me.
The most famous person in my phone is Lindsay Lohan. We starred in 'Confessions of a Teenage Drama Queen' together in 2004 and we've stayed in touch.
I think in terms of getting new artists who are not in that sort of stereotypical teenage boy demographic; there's been a lot of progress recently. And I shouldn't make a definitive statement about this, but my impression is that the main impediment to progress in that regard is the number of people who are choosing to make a go of it.
When you are in your teenage years you are consciously experiencing everything for the first time, so adolescent stories are all beginnings. There are never any endings.
The teenage years are ridiculously crucial and hard and, um, awkward.
A lot of the problems of parenthood are universal. Yes, it's harder being younger and growing up yourself, but all those anxieties and problems are going to be faced by anyone at any age. When people hear about teenage parents and teenage pregnancy, they attribute a lot of personality traits to those individuals, which is just such a bizarre thing when you really think about it. Like, how does age and circumstance equate to some kind of personality trait?
If you want to recapture your youth, just cut off his allowance.
Time scoots along pretty fast when you grow up.
I really can't be bothered going to a barber. And shaving every morning, that's nightmarish. I spent my teenage years covered in tiny little bits of toilet paper.
There's something really fun and spooky about that teenage feeling of narcissism or indestructibility, like the idea that every night might be the night before the world ends.
I want my audience to leave the theatre with positive emotions through this sensorial journey in the world of precious and fragile teenage beauty. And also the idea that the difficulties that we have to go through help us reveal who we really are.
I'm a big genre fan. I'm a big science fiction nerd and horror film nerd. I'm obsessed with Pam Grier. I wanted to be her for all of my teenage years.
Is it, in heav'n, a crime to love too well?
"Moksha" is really a satire of myself. I've always been interested in Eastern spirituality. I'm particularly interested in enlightenment and the spiritual pursuit to liberate ourselves (I'm a Buddhist at heart). During my teenage years, I imagined I'd end up going to India to become a yogi; study with the last living saints in a cave; give up all my worldly possessions; learn to levitate. And there's still part of me that can see myself "disappearing" for some years at an ashram somewhere.
I was raised with adults. I skipped knowing how to interact as a normal teenage person.
We're in a culture where everything is either consumption or production, so child care is either a very, very bad-paying form of work or a very expensive luxury that you purchase. There isn't a good place in our picture of the world for what caregiving is about. Even teenage babysitters have sort of disappeared from the scene.
What happens when children reach puberty earlier and adulthood later? The answer is: a good deal of teenage weirdness.
Like many authors, I caught the writing bug during my teenage years. I don't remember the exact day or year, but I remember that reading S.E. Hinton's 'The Outsiders' sparked my interest in writing.
I suppose a lot of teenage girls feel invisible sometimes, like they just disappear. Well, that's me—Cammie the Chameleon. But I'm luckier than most because, at my school, that's considered cool. I go to a school for spies.
Teenage girls read in packs. It's true today, and it was true when I was a teen growing up in a small town in northeast Oklahoma.