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Translatero.com > Citations > Citations sur le thème «Personality»

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I have trouble sleeping, at the end of the night. There's a lot of stimulus and my brain is processing a lot of different arcs and personalities. I'm always processing things, so I don't sleep.
I'm excited to work on something where I have a bit more time with it, to explore one personality. That's definitely exciting to me.
I think it's every artist's nature to want to escape. It's also human nature in a way, depending on your personality, to want to get away from it all.
Though I am a Catholic, a professing one, I have serious doubts about the survival of the human personality after death.
I think that personality traits that come through when somebody is really sincere is what makes them beautiful.
When you get new people in, you're going to have a breath of fresh air and there's going to be a window when people will decide what direction to go. It'll be determined by outside events, by the personalities that occupy those positions, and by the treatment they receive both from the press and the public, of the honeymoon period.
The overriding problems are brought on by the existence of the ego, a maladaptive behavioral complex in the psyche that gets going like a tumor. If it's not treated - if there's not pharmacological intervention - it becomes the dominant constellation of the personality.
LSD is different. LSD is like psychoanalytical Drano. It's not a personality.
I think the interview form works best on the radio. There are a lot of personality traits conveyed in a person's voice, the rhythm of their speech or how confident they sound.
Your average witch is not, by nature, a social animal as far as other witches are concerned. There's a conflict of dominant personalities. There's a group of ringleaders without a ring. There's the basic unwritten rule of witchcraft, which is 'Don't do what you will, do what I say.' The natural size of a coven is one. Witches only get together when they can't avoid it.
The author can always delve into his own personality and find aspects of himself with which he can dress his characters.
I had a checklist in my mind of the things that make a biography practical. Is the source material centralized? Is it easy to find? Are there new primary sources that no one has ever had access to? Are all the sources in English? If they're not, are they in a language that you speak? And I realized that not only is Armstrong the most important figure of Jazz in the 20th Century, but he's a perfect subject for a biography for all of these reasons. I had always loved his music and I had been fascinated in him as a personality. And that's really the key to writing a biography.
Storytelling awakens us to that which is real. Honest. . . . it transcends the individual. . . . Those things that are most personal are most general, and are, in turn, most trusted. Stories bind. . . . They are basic to who we are. A story composite personality which grows out of its community. It maintains a stability within that community, providing common knowledge as to how things are, how things should be -- knowledge based on experience. These stories become the conscience of the group. They belong to everyone.
It takes such a particular amazing and extraordinary type of personality to become an actor. I love them. You can't do my job without them. I've worked with a lot of film actors and most of them are so, so prepared in their approach because they are used to turning up ready to shoot: you have to have your performance, you have to have your lines, you have to have everything pretty much decided and ready to go whenever everyone else is ready.
Intolerance of ambiguity is the mark of an authoritarian personality.
Personalities are like impressionistic paintings. At a distance, each person is 'all of a piece'; up close, each is a bewildering complexity of moods, cognitions, and motives.
I have multiple personalities, but, being a fairly uncreative individual, they are all Thom Yorke.
Nobody knows whether our personalities pass on to another existence or sphere, but if we can evolve an instrument so delicate to be manipulated by our personality as it survives in the next life such an instrument ought to record something.
I have been at work for some time building an apparatus to see if it is possible for personalities which have left this earth to communicate with us.
With the dead there is no rivalry, with the dead there is no change.