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In my films I always wanted to make people see deeply. I don't want to show things, but to give people the desire to see.
If we opened people up, we’d find landscapes.
This is all you need in life: a computer, a camera, and a cat.
I live in cinema. I feel I've lived here forever.
The tool of every self-portrait is the mirror. You see yourself in it. Turn it the other way, and you see the world .
You have to invent life.
I'm still fighting. I don't know how much longer, but I'm still fighting a struggle, which is to make cinema alive and not just make another film.
I'm interested in people who are not exactly the middle way, or who are trying something else because they cannot prevent themselves from being different, or they wish to be different, or they are different because society pushed them away.
Humor is such a strong weapon, such a strong answer. Women have to make jokes about themselves, laugh about themselves, because they have nothing to lose.
I had a world. I don't think I had a career. I made films.
When I started I did not know I wanted to be a filmmaker. I started - I made a film. Then when I finished I said, Oh my god it's so beautiful - I should be a filmmaker!
You are always in the world. Even in Vagabond. I am not on the road, I am not eating nothing. But in a way we all have a Mona. We all have inside ourselves a woman who walks alone on the road. In all women there is something in revolt that is not expressed.
To share a lot of ideas - not ideas - emotions, a way of looking at people, a way of looking at life. If it can be shared, it means there is a common denominator.
Society is so slow. A feminist is a bore.
I call [ordinary people] real people, because they have in themselves an incredible treasure - stories, a way of speaking, a way of sharing, an innocence and a perversity which I find very interesting to discover little by little.
I tried to find a language for the film - not just telling stories. I picked the Picasso painting because it said more than I could explain. I need images, I need representation which deals in other means than reality. We have to use reality but get out of it. That's what I try to do all the time.
Humor is such a strong weapon, such a strong answer.
I'm not interested in seeing a film just made by a woman - not unless she is looking for new images.
I'm missing some people, you know, and this is not nostalgia. I miss them. This is melancholy.
I wanted to speak strongly about feminism in my life, since it's been a struggle.